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Exhibition_(Fragment) |
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A BOOK IS A JOURNEY
The process of becoming a book is a journey wherein the book travels far and wide, from hands to
machines, across places, continents and oceans. Even when the book reaches a reader it continues to
travel during the time the book is being read. The book may... |
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A BOOK IS A DOORSTOP
It opens the door to unrevealed stories. By keeping this imaginary door open, the reader can enter an
undiscovered world. In a more abstract way, a book enables the reader to keep an open mind. The tangibility of the book creates a magical attachment to it.... |
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A BOOK IS A MICROSCOPE
It is an instrumental device that enables the reader
to discover another world. The table of contents divides the book into chapters, which are represented by
different layers of pages. This reflects the way a microscope lens can provide gradual magnific... |
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IMAGE FIRST_PUBLISHED:_https://doi.org/10.1162/desi_a_00539 (Photo: Stefanie Archer) p.107/////Figure 11. Work exhibited Shuhui Goh, Slides of Content, 2016, book prototypes: 155 × 50 mm / 170 × 100 mm, final book: 150 × 42 mm /////A BOOK IS A MICROSCOPE
It is an instrumental de... |
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A BOOK IS A CULTURAL VESSEL
The form and content can draw a parallel with a
Chinese porcelain vase. Both are portable objects, which can contain and convey. A book contains information, ideas and knowledge. A porcelain vase
carries liquids or special objects deemed to be meani... |
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Exhibition_(Fragment) |
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A BOOK IS A ‘SEQUENCE OF SPACES’
It is based on the Japanese concept of space. The book has an open body, which allows the internal space to connect with the external. The different sections of the book resemble a spatial structure. Each separate section represents a new space t... |
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IMAGE_FIRST_PUBLISHED in https://doi.org/10.1162/desi_a_00539, “On the Name of Book “Wrighting’: Irma Boom’s “Transformative Crossover” Production. Authors: Ojeda, D., Boom, I.
[Photo: Stefanie Archer, p.103, black and white version] /////Figure 4
Angeline Lee, Un-empty, Japane... |
